Gods and Foolish Grandeur Pierre Cadeau de Mongazon, by Nicolas de Largillière, circa 171520
Nicolas de Largilliere, "Portrait of the Sculptor Pierre LePautre," 1689 (Norton Simon Museum, Pasadena, California) Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Fig. 4. Nicolas de Largillierre, "Portrait of a Woman," 1711 (Musée de Grenoble)
Portrait of a Gentleman Nicolas de Largillière Portrait, Museum of fine arts, French baroque
Biography. Born in Paris, Nicolas de Largillière trained as an artist in Antwerp, where he showed a great admiration for the Flemish Masters. At the age of eighteen he moved to England, where he was apprenticed to Peter Lely at Windsor. His talent attracted the attention of King Charles II, but due to growing hostility towards Catholics.
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View Nicolas de Largillière's 964 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and decorative objects for sale and learn about the artist.
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NICOLAS DE LARGILLIÈRE (PARIS 16561746) auctions & price archive
Nicolas de Largillière, (baptized Oct. 10, 1656, Paris, France—died March 20, 1746, Paris), French historical and portrait painter who excelled in painting likenesses of the wealthy middle classes. Most artists of his time took as their standard of excellence the adherence to Classical models and an emphasis on drawing, while some broke away in favour of the style of Rubens and an emphasis.
Nicolas de Largillière Lose in unserem Preisarchiv LotSearch
When Nicolas de Largillière created this family portrait, he was at the height of his fame. Born in Paris, he spent his youth in Antwerp, where he had also become a member of the painters' guild.From 1674 to 1678, he worked for Charles II of England, subsequently returning to Paris, where he became a member of the Academy in 1686.By setting this scene in his studio, Largillière placed his.
Voltaire / Gemaelde von Largillière Nicolas de Largilliere als Kunstdruck oder Gemälde.
'Nicolas de Largillière positioned his figure before an atmospheric landscape and used fluent brushwork, rich autumnal colors, and exquisite treatment of draperies. All these characteristics betray his training in a Flemish late Baroque style heavily indebted to Anthony van Dyck.'
1725 Madame Isaac de Thellusson, née Sarah le Boullenger (17001770) by Nicolas de Largillière
painting by Nicolas de Largillière National Museum of Fine Arts of Algiers: IG.3529 National Museum of Fine Arts of Algiers: Charles Louis Remond, Comte de Hergh, Capitaine de Royal Croate, Chevalier des Ordres du Roy: painting by Nicolas de Largillière Mount Holyoke College Art Museum: MH 1987.23.2 1715 Mount Holyoke College Art Museum
NICOLAS DE LARGILLIERRE DIDIER AARON
Nicolas de Largillière was among the most highly esteemed and prolific portrait painters working in the time of Louis XIV of France, and his popularity continued through the period of the regency that followed Louis's death in 1715. His portraits were admired for their deftly rendered textures and for the confident poses that lent a sense of.
IMG_5070 Nicolas de Largillière. 16561746. Paris. Portrai… Flickr
Throughout his long career, Nicolas de Largillière was renowned for his portraits. This portrait of an unknown sitter, probably a member of the newly wealthy Parisian middle class, was painted by the artist soon after he became a member of the Académie de Peinture et de Sculpture in Paris.An important bridge between the staid and conservative French portrait tradition of the seventeenth.
Pin on Portraits and fashion 1710 1795
modifier - modifier le code - modifier Wikidata Nicolas de Largillierre , diversement orthographié jusqu'à il y a peu , né le 2 octobre 1656 à Paris , où il est mort le 20 mars 1746 , est un peintre français . Il est l'un des portraitistes les plus réputés des XVII e et XVIII e siècles. Biographie [modifier | modifier le code] Fils d'un marchand chapelier, Largillierre passe son.
1724 María Ana Victoria de Borbón by Nicolas de Largillière (Museo Nacional del Prado Madrid
Nicolas de Largillierre. 1656 - 1746. He was born (and died) in Paris; he trained in Antwerp and from about 1674 was for some years an assistant to Peter Lely in England. He became a member of the French Academy in 1686 and was later Director; he is recorded as an early admirer of Chardin. He specialised in portraits, mostly of the professional.
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Manner of Nicolas de Largillière , Portrait of a laidy, threequarterlength, dressed as Diana
How many portraits do you see here? There are actually five. The artist sits on the right with his palette and brushes in hand. The engraver Gérard Edelinck (1640-1707) sits next to him, and the two hold up a portrait print that Edelinck made from Largillière's original painting (displayed at far right). The man standing behind them is Pierre Bernard, who commissioned the engraving.
IMG_0111J Nicolas de Largillière 16561746 Paris Portrait … Flickr
James II (1633-1701)Nicolas de Largillière (1656-1746) National Maritime Museum. Saint Margaret (c.1045-1093), Queen of ScotlandNicolas de Largillière (1656-1746) National Trust, Sizergh Castle. Prince James Francis Edward Stuart (1688-1766), Son of James VII and IINicolas de Largillière (1656-1746)
Marquise du Châtelet par Nicolas de Largillière (Louvre) Grand Ladies gogm
Nicolas de Largillière (1656-1746), Painter and Draughtsman. Sitter associated with 3 portraits Artist associated with 43 portraits French-born and Antwerp-trained, Largillière was in London between 1665 and 1667, and again from 1675 until 1679, when he worked for Sir Peter Lely and Antonio Verrio.Possibly discouraged by widespread anti-Roman Catholic sentiment in England, Largillière left.
Pin by Doyle & Doyle on P A I N T I N G S Detail art, Classical art, Classic art
Largillière, Nicolas de. (baptized Oct. 10, 1656, Paris--d. March 20, 1746, Paris), French historical and portrait painter who excelled in painting likenesses of the wealthy middle classes. Most artists of his time took as their standard of excellence the adherence to classical models and emphasis on drawing, while some broke away in favour of.
of Nicolas de Largillière, Portrait of Marie Dorothée du Saux Ref.66286
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